Two and a half weeks ago I had the pleasure of attending and presenting at the ‘Kierkegaard’s Upbuilding Discourses’ Conference in Oxford at Christ Church College. I’m a bit behind on posting this, but today is Søren Kierkegaard’s 197th birthday so I thought I should at least owe that to him. Sadly, the volcanic ash cloud prevented a quarter of the European/Danish Kierkegaard scholars from attending and presenting. At the last minute, conference organizers George Pattison and Matthew Kirkpatrick had to revamp the entire conference schedule to account for the disruption of the absence of a significant portion of the conference delegates.
Notwithstanding, the event itself was incredibly fun and very lively. I had the honour of meeting and interacting with some of my favourite Kierkegaard scholars, including Joel Rasmussen, John Lippitt, Clare Carlisle, and George Pattison — as well as meeting a crew of up-and-coming very passionate Kierkegaardian scholars in their own right.
George Pattison is one of the only scholars in the English-speaking world to write extensively on the whole of the Upbuilding Discourses (aside from say Amy Laura Hall, C. Stephen Evans, and M. Jamie Ferreira who have written specifically on the Works of Love which Pattison places within the ‘Discourse’ Literature), and acted as the guiding voice of the conference, helpfully providing insight into just about any specific point of Kierkegaard’s writings, especially issues of translation. Pattison is in the process of translating a selection of the discourses himself, continuing in the recent tradition of M. G. Piety and Alistair Hannay (e.g., SUD, FT, and CUP) of providing new translations which correct and build upon the Hong translations with which we are already so familiar. Of all the helpful points that Pattison offered, one of the suggestions that struck me was that Kierkegaard is nearly always over-looked in 20th-century discussions of ‘the gift’. All of these writers know the pseudonymous Kierkegaard, but by overlooking his discourse literature, they have missed three discourses on gift, which are all named around James 1:17
: ‘Every Good and Every Perfect Gift Comes From Above’.

Christ Church College Dining Hall, which provided the inspiration for the Hogwart's Dining Hall in the Harry Potter films
My paper was entitled ” ‘Practising Life in Death’: Equality, Stillness, and Earnestness in Kierkegaard’s Upbuilding Discourses.” The theme for the conference was the Eighteen Upbuilding Discourses and the Three Discourses on Imagined Occasions, so my paper focussed primarily on those two texts, but brought in the work of Eastern Orthodox theologian John Behr at the end. (e-mail me or post a comment if you’d like a copy of my paper.) I had a couple of good questions, one from Steven Shakespeare who simply asked if my inclusion of John Behr was something inherent in the ‘At a Graveside’ text in the Three Discourses. The short answer is that the Christological element was my own ‘leap’, my own creative addition onto the text where I think Kierkegaard very well could have gone, especially considering that the discourses are within the ‘direct communication’ of Kierkegaard’s authorship (not to mention the fact that the previous paper delivered by Paul Martens on a couple occasions raised the very point that Kierkegaard seems vague as to where he’s actually going in this discourse). All this suggests I should have just made that blatant in my introduction.
On the final night of the conference, Dr Hugh Pyper made a presentation about a certain old text he had rebound. He shared an e-mail from the bookbinder (is he an ‘hilarious’ one?) about what all went into the rebinding of this text. The text Hugh had rebound was a first edition of Søren Kierkegaard’s Atten Opbyggelige Taler, or Eighteen Upbuilding Discourses. It was a pretty incredible text to behold. Pictures are below.

Four Kierkegaard scholars examining the text, from left to right: John Lippitt, Claire Carlisle, Jolita Pons, and George Pattison
On the title page is written what looks like “P. Kierk.” Hugh thought for a while that this may have been one “P. Kierkegaard”, that is, Peter Christian Kierkegaard, Søren’s brother, which would explain why the text was in fairly good condition (Peter Christian was known to not read the books on his shelves). After consulting with Arne Grøn, however, Grøn suggested that the signature is actually written in a gothic script. If that is the case, then the signature is actually “P. Keck.”, which means we have no idea who that is.
Next year will be the second of three conference on Kierekgaard’s Upbuilding Discourses, this time focused on Works of Love and Upbuilding Discourses in Various Spirits. It is scheduled for 29th April – 1st of May and will be held at the University of Sheffield. I’m looking forward to another lively conference, although hopefully with some of the Danish Kierkegaard scholars we missed this time around.
Lastly, George Pattison will be posting the conference papers on the Oxford University Research Archive (see, e.g., these papers from a Heidegger and Religion conference) for the benefit of those Danish and other European scholars who could not make it. Obviously that means that anybody with an internet connection can benefit as well. As soon as George Pattison sends out that link, I’ll be posting it here.







What, then, does it mean “to deceive”? It means that one does not begin directly with what one wishes to communicate but begins by taking the other’s delusion at face value. Thus one does not begin (to hold to what essentially is the theme of this book) in this way: I am Christian, you are not a Christian–but this way: You are a Christian, I am not Christian. Or one does not begin in this way: It is Christianity that I am proclaiming, and you are living in purely esthetic categories. No, one begins this way: Let us talk about the esthetic. The deception consists in one’s speaking this way precisely in order to arrive at the religious. But according to the assumption the other person is in fact under the delusion that the esthetic is the essentially Christian, since he thinks he is a Christian and yet he is living in esthetic categories.
Oddly, not much blogging around these parts lately, but elsewhere, I’ve posted the third and final post of my series on Kierekgaard and Socrates 

You who are reading this, imagine the following incident. You are visited by someone who, quiet and earnest, yet deeply shaken (without in any way conveying to you any idea of being demented), says to you: “Pray for me, oh, pray for me”—is it not true that this would make an almost terrifying impression on you? Why? Because you yourself personally received the impression of a human personality who in all likelihood must be engaged in the severest struggle with a personal God, since it could occur to him to say to another person: Pray for me, pray for me.
Via